release 01

post-edm
vault

98 Phase Plant presets, plus some of my private Snap Heap utilities. No external effects in any demos. No slop. A private sound exploration made public.

by Bad Computer phase plant 2.4.4+ snap heap utilities no external effects

behind the curtain.

I love making music, but making music isn't the only thing I do - tonesauce intends to bridge the gap.

In this gap, exists sounds and presets that push beyond the industry standard.

My philosophy is that the most convincing sounds are generated from the most basic of waveforms. The majority of these sounds, no matter how complex, can typically be broken down to a combination of saw waves, sine waves, and noise.

As a result, the content is not solely a strong utility for producers, but also highly informative for aspiring sound designers.

If you're reading this, I trust that tonesauce will bring you something you haven't yet encountered - Bad Computer.

release index.

Post-EDM Vault artwork
release 01 €30

post-edm vault

A Phase Plant ecosystem built around modern electro, industrial percussion, vocal machinery, spatial systems, and release-ready synthesis.

technical contents phase plant

included systems

98 Presets.
Private Snap Heap utilities.
Built for Phase Plant 2.4.4 and later.

Designed without external effects - the architecture is visible, transferable, and reverse-engineerable.

98presets
2.4.4+phase plant
0external fx
€30price

sound dossiers.

Short demonstrations from the vault. These patches aim to inspire, operate as release-ready out of the box, and provide a learning resource for reverse-engineers.

complextro_in_phase_plant.bw
A dense electro/complextro structure made entirely out of patches from this pack, including the drums.

No mixing, and no external effects were employed (exl. Cableguys Shaperbox for sidechain automation).
system demo
0:00
Industrial Kick.phaseplant +
Industrial Screech (1 & 2).phaseplant
A single kick patch made from sine waves and vinyl noise. Timing is everything.

Includes:
Phase Distortion, Dispersion, Multiband Processing, Staged Clipping.

Drum + FX (Techno)
0:00
Spicy.phaseplant
A remake of the bassline from aespa - Spicy.

Bass (Pop)
0:00
Straight Hard.phaseplant
A bright, buzzing electro bassline derived from sines, saws, and noise with a full spectrum transient that can cut through any mix. This is the power player synth of Bad Computer - Man Down (TBA).

Note F3 is being held in this demo - the pattern you hear is a part of the patch, and can be easily edited with its corresponding LFO. I find this approach to bare more musical, and harmonically interesting results, while keeping the patches inspiring out of the box.

Includes: Phase & Frequency Modulation, Dispersion, Automated Multi-Filtering.
Bass (Electro)
0:00
Spaces.phaseplant
A Space Laces-inspired dubstep patch that breaks all the rules.

Note F3 is being held in this demo - the pattern you hear is a part of the patch, and can be easily edited with its corresponding LFO. I find this approach to bare more musical, and harmonically interesting results, while keeping the patches inspiring out of the box.

Includes: Phase, Frequency, Filter Table, and Amplitude Modulation, Dispersion, Heavy Distortion, and 2 Subs (somehow).
Bass (Dubstep)
0:00
Tech Groove.phaseplant
A deep bass groove inspired by Skrillex and Boys Noize's Fine Day Anthem.
Add a kick drum and watch it carry your track.

Includes: Phase & Frequency Modulation, Dispersion, Automated Multi-Filtering.
Bass (Tech House)
0:00
B.O.T.A..phaseplant (1 & 2)
A remake of the primary sounds in Interplanetary Criminal & Eliza Rose's B.O.T.A.

Includes: Additive Synthesis, Spatial Effects, Velocity Control.
Keys, Bass (Pop House)
0:00
Take It Slow.phaseplant (1, 2, 3)
A remake of Nate Sib's Take It Slow.
Bass, Keys (Pop)
0:00
Come_Check_This.phaseplant
A remake of FETISH's Come Check This.
Bass (Bass House)
0:00
People_Ain't_Dancin.phaseplant
A remake of People Ain't Dancing by Billen Ted & Kah-Lo.
Chord (Rally House)
0:00
microwave.phaseplant
A microwave.
FX (Experimental)
0:00
not made to reach everyone. made for the people who can hear the difference.